newman_d_f

=List of Sources (non included in word count) Tips]=


 * encomium, Hermann Göring; foreword, Joseph Goebbels; text, Joseph Goebbels.. [et al.]; translated from the 1936 edition, Carl Underhill Quinn; introd. and commentary, Julius Rosenthal (1978). //Adolf Hitler, pictures from the life of the Führer, 1931-1935//. New York: Peebles Press (ISBN: 0856900656).
 * Jean-Louis Cohen, Christina Lodder, Richard Pare (Photographer) (2011). //Building the Revolution//. Royal Academy Publications (ISBN: 1905711913).
 * Victoria E. Bonnell (1997). //Iconography of power//. Berkeley: University of California Press, (ISBN: 0520087127).
 * Randall L. Bytwerk (2004). //Bending spines//. East Lansing, Mich.: Michigan State University Press, (ISBN: 0870137107).

Pictures from the book 'Adolf Hitler: Pictures from the life of the Fuhrer' (as from the webpage []) and the Nazi Propaganda Archive website.


 * []


 * []

PART D [1] [2] [3] [4] [5]
 * []
 * []
 * []
 * []
 * []
 * []

NAZI PROPAGANDA ARCHIVE WEBSITE: []

Architecture: []

Art: []

[]

quotes -->

__LIFE OF THE FUHRER QUOTES AND NOTES:__ (pg.64) "Art transports them [men,people] from the darkness and sluggishness of everyday life to a better world." (pg.64) "...Art has transfigured and immortalized whole eras of new cultural and historical development." (pg. 66) "Men who deep in their souls find art fulfilling are able to offer the nations of the world great lessons in politics and military strategy." (pg. 66) "The most basic characteristics of his [the Fuhrer's] newly-built Reich follow the immortal principles of authentic architecture." (pg. 66) "In the new Reich, usefulness and beauty are united in rare harmony." (pg.71) "Here art crosses over into military and state matters."
 * ART**

(pg. 72) "The Fuhrer created this movement and came to power through its strength; and to this day he determines its ultimate structure, right down to the finest details. Therefore, unlike leaders of earlier centuries, he cannot build as a benevolent sponsor, and to an even lesser degree as a patron of the arts; he must build as a National Socialist." (pg. 72) "Building is not a frivolous pastime for the Fuhrer. It is a serious matter in which even stone material is intended to give distinct expression to the will of the National Socialist Movement." (pg. 74) "Here one can already see the characteristics that the buildings following the seize of power would express even more clearly: **sharp and stern,**
 * ARCHITECTURE**
 * but never monotonous. Simple and clear, and without fake ornamentation. Limited decorations, but every decorative element placed so**
 * properly that it would never be considered superfluous. All material, forms and lines elegant.**"

Pictures from the book (as from the webpage [])


 * []


 * []


 * []

__ICONOGRAPHY OF POWER QUOTES AND NOTES:__ (Intro, pg. I) "gain control over the sphere of public discourse and to transform popular attitudes and beliefs by introducing new symbols, rituals, and visual imagery." (intro, pg. I) "Invented tradition...a set of practices...which seek to inculcate certain values and norms of behaviour by repetition, which automatically implies continuity with the pas(t.". (pg. 24) "[talking about the male blacksmith in posters and images]...No other visual symbol-except for the emblems of the red star and the hammer and sickle, introduced in the spring of 1918- was as widely disseminated in Bolshevik Russia or as closely associated with the new regime. This image remained central until 1930, and then was abandoned." (pg. 25) "The Fifth Congress of Soviets adopted the hammer and sickle as the official emblem on July 10th, 1918."